World
The “Unfit” Mothers of Ariana Harwicz
[ad_1] The Argentinean author Ariana Harwicz writes slim books that draw on a slim band of resources, as if she pulled them from a narrow row of diseased crops, or...
A Musical Indictment of the Harris County Jail in “Criminal”
[ad_1] From the outside, the Harris County Jail might be mistaken for a high-end condo, with walls of windows that overlook the bayou in downtown Houston. But the windows are...
The Real Battle of “One Battle After Another”
[ad_1] A first viewing of Paul Thomas Anderson’s “One Battle After Another” mainly sets up the pleasure of seeing it again. The movie, which runs two hours and forty-one minutes,...
The Guts and Glory of “Indian Rodeo”
[ad_1] For more than a decade, Jeremiah Murphy has been trying to capture the beauty of a deeply American sport. [ad_2] Source link
Brian Stauffer’s “Winds of Change”
[ad_1] For the cover of the October 13, 2025, issue, the artist Brian Stauffer chose to see the beauty in what many consider a noisy nuisance. “One of the things...
The Violent, Hilarious Return of “Hothead Paisan”
[ad_1] Diane DiMassa’s “homicidal lesbian terrorist” was a star of underground comics in the nineties, but her “rage therapy” has lost none of its edge. [ad_2] Source link
Do We Still Like Taylor Swift When She’s Happy?
[ad_1] If I were writing a song about Travis Kelce, a man I’ve never met, I would mention that he plays football, and that he has a podcast. I’d point...
Why Did We Love “To Catch a Predator”?
[ad_1] In David Osit’s new documentary, “Predators,” the director includes a short clip from a mid-two-thousands episode of “Jimmy Kimmel Live!” in which the late-night host—his free-speech tussle with the...
Why Does Taylor Swift Think She’s Cursed?
[ad_1] Since Taylor Swift launched the record-breaking Eras Tour, in 2023—a hundred and forty-nine dates, fifty-one cities, more than two billion dollars in ticket sales—she has been freakishly omnipresent in...
“After the Hunt” Is a Pleasurably Ludicrous House of Cards
[ad_1] In Luca Guadagnino’s film, Julia Roberts plays a Yale professor forced to choose sides when a student accuses a colleague of sexual assault. [ad_2] Source link
