World

Disco Balls and Roller Skates, at Xanadu
In the lushly pleasurable Bobby Darin bio-musical “Just in Time,” by Warren Leight and Isaac Oliver, the director Alex Timbers ensconces his sweet-voiced star Jonathan Groff in a gleaming...
A Joyfully Chaotic Tribute to Pavement in “Pavements”
Rock documentaries and bio-pics have been parodied for nearly as long as they have existed, but there’s a reason for their ingrained absurdity that’s even weightier than fan service:...
The Miscalculations of COVID School Closures
On June 26, 2020, three months after the coronavirus pandemic had seized the United States, the American Academy of Pediatrics, which represents about sixty-seven thousand pediatric physicians, issued guidance...
Why Even Try if You Have A.I.?
A couple of years ago, my wife bought my then four-year-old son a supercool set of wooden ramps, which could be combined with our furniture to create courses through...
For Watchers of “The Clock,” Time Is Running Out
“The Clock,” the addictive film masterpiece by the Swiss artist Christian Marclay, has been showing continually at MOMA since November, and some of us have become transfixed Clockwatchers, returning...
When Jews Sought the Promised Land in Texas
Ezekiel was an exile. Born in the kingdom of Judah, he survived the siege of Jerusalem, in 597 B.C.E., but afterward was banished with his fellow-Jews to Babylon. While...
Barry Blitt’s “The First Hundred Days”
President Donald J. Trump began his second term with a hundred-day blitz, as a way to both get revenge on his perceived foes and take the country in an...
Requiem for a “Drunk Dad”
Jeff Bark’s elaborately composed scenes channel sundered American fantasies. They also function as personal folklore. Source link
Trump Is the Emperor of A.I. Slop
On February 19th, Donald Trump logged onto Truth Social to congratulate himself on vanquishing congestion pricing in his home state. “CONGESTION PRICING IS DEAD,” he posted. “Manhattan, and all...
A Long, Hard Look at America
One of the strangest works of art in the Rijksmuseum, in Amsterdam, is a painting by Jan Jansz Mostaert, who was born in Haarlem. It dates from around 1535...
The Show Can’t Go On
Funding shifts at three of the largest philanthropic foundations have brought turbulence and uncertainty to the intricate New York support system for the performing arts. Source link