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Local Gems: Cultural Institutions
[ad_1] On the occasion of our third centenary issue—this one culture-themed—we asked our writers to share one of their most treasured cultural institutions, big or small. Whether it’s a beloved...
“Caught Stealing” Makes New York a Comedic Criminal Nightmare
[ad_1] From the start of Darren Aronofsky’s new film, “Caught Stealing,” it’s apparent that it hits the sweet spot of his cinematic artistry—the right scale, the right scope. Set in...
André Holland on Stories of Community
[ad_1] It’s about to be a very busy season for the actor André Holland. His latest film, “Love, Brooklyn,” begins its theatrical run on August 29th. A day after, he...
Scenes from the “This Is Spinal Tap” Cutting-Room Floor
[ad_1] In 1982, I began shooting an almost entirely improvised film,“This Is Spinal Tap,” which also happened to be my first as a director. It transformed my life and the...
Racing Mount Pleasant Makes Quiet Emotions Sound Grand
[ad_1] The Frank O’Hara poem “Katy” features seven lines of self-assessing declarations. It is the fifth line that I get the most mileage out of: “I am never quiet, I...
How to Survive Your Song Going Viral on TikTok
[ad_1] If you’ve heard the 2019 hit song “Tek It,” by the New York City-based band Cafuné, there’s a good chance it’s not the version that the group originally created....
Why Embracing Constant Growth Is My Key to Happiness
[ad_1] I’ve come to realize that stagnation is my worst enemy. The thought of looking up two or three years from now and seeing that I’ve been doing the same...
When the Man Tried to Sell Minimalism to the Counterculture
[ad_1] “The Man can’t bust our music,” an advertisement in the underground newspaper Berkeley Barb proclaimed, in November, 1968. The accompanying image showed seven presumed radicals huddled in a jail...
“Eden” Is a Desert-Island Thriller That Despoils Itself
[ad_1] The new movie “Eden” features bursts of foul temper, wild sex, grisly violence, and nihilist ideology—a departure, you might say, for Ron Howard, a director whose cinematic disposition can...
Cindy Sherman’s and Rea Irvin’s Eustace Tilley
[ad_1] For a hundred years of New Yorker history (except once, in 2000, for our seventy-fifth anniversary), our covers have featured drawings, not photographs. For the September 1 & 8,...
