World
“Eden” Is a Messy Survival Thriller with Nietzschean Appeal
[ad_1] The new movie “Eden” features bursts of foul temper, wild sex, grisly violence, and nihilist ideology—a departure, you might say, for Ron Howard, a director whose cinematic disposition can...
What The New Yorker Was Watching in 1925
[ad_1] Film criticism at The New Yorker started with a bang: the first movie reviewed in the first issue, dated February 21, 1925, was the German director F. W. Murnau’s...
The Vibrant, Disappearing World of India’s Photo Studios
[ad_1] The Jagdish Photo Studio in Manori appeared to Ketaki Sheth as a kind of apparition. A photographer from Mumbai, Sheth owns a home in the coastal village, about a...
My Mother, New Orleans
[ad_1] My father, who was born in New Orleans and who died there just last year, used to always say, “Funny that they call this the Big Easy.”In August of...
A Merry and Rambunctious “Twelfth Night” in Central Park
[ad_1] On the Saturday evening that I saw “Twelfth Night, or What You Will,” the sole production of the Public Theatre’s Shakespeare in the Park summer season, a raccoon scurried...
“Missing Sheep,” by Anne Carson
[ad_1] We all play a bit of a game when in love, don’t we? [ad_2] Source link
IRL Brain Rot and the Lure of the Labubu
[ad_1] On a recent quiet weekday morning in Manhattan, I attempted to obtain a Labubu, the cutesy monster doll that has become the biggest international toy fad since Beanie Babies...
Showdown in the Oval
[ad_1] © 2025 Condé Nast. All rights reserved. The New Yorker may earn a portion of sales from products that are purchased through our site as part of our Affiliate...