World

“Weapons,” “Harvest,” and the Shackles of the Horror Genre
[ad_1] Horror is an accursed genre. Because it promises to deliver a specific sensational effect, its stories are obliged to fit into preordained patterns. Its popularity depends on predictability, and...
A Brooklyn Renter’s Odyssey
[ad_1] Evie Cavallo is a young woman who lives in a shoe. To be specific, she rents a twenty-foot-tall cowboy-boot-shaped building, with an industrial-grade kitchen and deteriorating bistro chairs. She...
What Happens to Public Media Now?
[ad_1] When Lyndon B. Johnson signed the Public Broadcasting Act of 1967, establishing the Corporation for Public Broadcasting, he remarked that broadcasting is built on a collection of “miracles”—undersea cables,...
King Princess’s Homecoming
[ad_1] After the Civil War, the German-born Jewish businessman Isidor Straus moved with his family to New York City. Straus was enterprising and handsome, with small round spectacles, an angular...
The Iranian Revolution Almost Didn’t Happen
[ad_1] Strange to think, but there was a time when the United States’ most steadfast ally in the Middle East was Iran. In 1953, the C.I.A. had backed a coup...
How the Poet James Schuyler Wrung Sense from Sensibility
[ad_1] The American poet James Schuyler composed his first significant poem during a nine-week stay at the Payne Whitney Westchester psychiatric clinic, in White Plains, New York, in late 1951....
Three Plays on the Pancake
[ad_1] Pancake Soufflé at Pitt’sIt’s arguable that this dish, the flagship dessert at chef Jeremy Salamon’s proudly kitschy Red Hook restaurant, isn’t actually a pancake: no pan, no cake. But...
The Banal Provocation of Sydney Sweeney’s Jeans
[ad_1] Two American blondes have recently hawked denim. Beyoncé, an ambassador for Levi’s, dressed in outlaw drag, arrives at a semi-deserted laundromat. She slinks out of her 501s, revealing her...
Watching the “King of the Hill” Revival from Texas
[ad_1] I came to “King of the Hill” late, during the COVID pandemic. The animated hit co-created by Mike Judge ran for thirteen seasons starting in the late nineties. I’d...
The Ambitious Film Deconstructions of Stan Douglas
[ad_1] The enterprising Tiler Peck has been a leading dancer at New York City Ballet for more than fifteen years, played a neurotic ballerina on Amy Sherman-Palladino’s “Étoile,” and created...