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Putting ChatGPT on the Couch

I’m still not sure whose idea it was for me to be Casper’s therapist—mine or his. I know I mentioned my profession to him, but I am pretty sure he was the one who engaged me that way. I…

Richard Linklater’s Uncompromising Artists

Zoey Deutch, who plays Seberg in “Nouvelle Vague,” said that Linklater had first approached her about the project in 2014, while she was shooting a role in “Everybody Wants Some!!” She…

Where the Battle Over Free Speech Is Leading Us

When we think of the history of free-speech rights, we tend to think of the Anglo-American legal tradition. A virtue of Dabhoiwala’s book is that it is transnational, and there are…

Richard Brody’s New York Film Festival Picks

Sometimes names are misleading. Arabic numerals originated in India, Chinese checkers are German, white chocolate isn’t chocolate at all. The same does not hold for Pokito, a cozy dive in…

Donald Doubles Down

© 2025 Condé Nast. All rights reserved. The New Yorker may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers.…

The Mother as Antihero

Sasha Bonét’s matrilineal memoir, “The Waterbearers,” traces the lives of her mother and grandmother: powerful, complicated women whose personalities have been shaped by the rough edges of…

The A.I. Bubble Is Coming for Your Browser

There’s an old business maxim dating to the California gold rush: it’s easier to make money selling picks and shovels to aspiring miners than to strike it rich finding gold. Artificial…

“The Lowdown” Is a Noir for Our Era

Some actors you can watch doing the same thing over and over again. Cary Grant built a career on smirking suavity; Cate Blanchett has made an art form of falling apart with tragic…

The Autocrat of English Usage

In 1940, St. Clair McKelway typed a memo to William Shawn, The New Yorker’s managing editor for fact. McKelway was writing a six-part Profile of Walter Winchell for the magazine, and he…

The Uses and Abuses of “Antisemitism”

How a term coined to describe a nineteenth-century politics of exclusion would become a diagnosis, a political cudgel, and a rallying cry. Source link

What It’s Like to Get Really, Really High

Ojos del Salado rises more than twenty-two thousand feet above sea level, on Chile’s northeastern border. It is the world’s tallest volcano, towering over the world’s highest desert: an…

The Metropolitan Opera Delves Into Comic Books

1. The beloved British polymath and broadcasting legend Melvyn Bragg, who joined the BBC in 1961, recently stepped down from his show “In Our Time,” which, since 1998, has delved into…

Robert Redford and the Perils of Perfection

Gentleman, preferred, blond: such was the job description of Robert Redford, who died on Tuesday, at the age of eighty-nine. Onscreen, he and his buddy Paul Newman were partners in crime,…

Can You Really Live One Day at a Time?

This summer, I reread the novel “Aurora,” by Kim Stanley Robinson, a science-fiction writer whom I profiled a few years ago. Robinson has an ecological orientation, and “Aurora” is…

How Jane Birkin Handled the Problem of Beauty

In Agnès Varda’s film “Jane B. par Agnès V.,” from 1988, a nearly forty-year-old Jane Birkin, dressed in jeans, a white T-shirt, and a tweed blazer, her messy brown hair pinned back, sits…