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A Century of Marilyn Monroe

In May of 2022, the actress, reality-TV star, and lingerie mogul Kim Kardashian arrived at the Metropolitan Museum of Art for the annual Met Gala, wearing another woman’s dress. It was…

Peter Strausfeld, the Movie-Poster Master

Some deserving names, though, are still obscure, and that is why an exhibition at Poster House, on West Twenty-third Street, running until April 12th, is to be welcomed with gusto. Here,…

“Love Story” Is a Forgettable Elegy for Gen X

Schlossberg was not by any means alone in shading the Murphy show while it was in production. C.B.K., as she is called, is the love object of a posthumous legion of admirers. They are more…

Losing Faith in Atheism

If I was still in search of beliefs, many atheists would object, I hadn’t really gotten over my religious upbringing. A good atheist deals not in faith but in facts, not in belief but in…

Whodunnit: The Upstate Murder-Mystery Weekend

Cupid gets his main-character moment this weekend. We asked New Yorker staffers to help build a playlist befitting his romantic mission. For a classic piece of nineties Brit pop, Oasis’s…

The Race to Give Every Child a Toy

Actually, they did want to be. There is a reason Morris Michtom moved his family from the Lower East Side to the row houses of Brooklyn as soon as he could. (When his youngest son was…

“Industry” Is a Study in Wasted Youths

In the new season of the hit HBO series, its young protagonists have left the trading floor that made them. Their second acts are revealing. Source link

Listening to Joe Rogan

Long John Nebel and Art Bell are gone, but the tradition they embodied has a prominent inheritor. In an age of diminishing attention spans, “The Joe Rogan Experience” is free-form, runs…

Barry Blitt’s “Split Screen”

In February, 1925, the first issue of The New Yorker was published, featuring a drawing by the art editor Rea Irvin of a top-hatted dandy examining a butterfly through his monocle. This…

Bad Bunny’s All-American Super Bowl Halftime Show

Bad Bunny arrived on the Super Bowl stage wearing a silver trenchcoat and a matching do-rag. He delivered a perfectly incendiary verse in which he declared, “Viva la raza!,” and then he…

Is There Such a Thing as Too Much Good Taste?

The worry that taste is deceptive or distracting haunts seemingly every narrative in which it figures. In “Strangers,” Burden wonders how she failed to notice her husband’s unhappiness,…

In “Riot Women,” the Punks Are All Grown Up

The British drama “Riot Women” begins with a blackly comic suicide attempt. Beth (Joanna Scanlan), a teacher on what she calls “the wrong side of fifty,” burdened by loneliness,…

Sundance Is a Feast of World Cinema

Manuel’s approach to narrative is as original as his sense of cinematic form, and his gift for documentary-style observation is balanced by a refined sense of style. (He sketched this…

Animals Say Hello, but Do They Say Goodbye?

After I started writing this piece, I became hyperaware of the goodbyes in my life. Visiting a restaurant in Brooklyn where I used to work, I remembered that it was customary to kiss…

How Bad Bunny Saved the Grammys

The Grammys have long been a dependable engine of outrage. Every year, it seemed, one humiliation or another would seize the ceremony, such as when Macklemore defeated Drake, Kanye West,…