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Coming of Age in Panic Mode

The books of Michael Clune, or at least the ones written for a nonacademic audience, have focussed on very particular chapters of his life. “White Out: The Secret Life of Heroin” is a…

The Revenge of Millennial Cringe

In the summer of 2009, a shambolic Los Angeles band called Edward Sharpe and the Magnetic Zeros released a single titled “Home.” A romantic duet between the group’s founder and lead…

What If A.I. Doesn’t Get Much Better Than This?

For this week’s Open Questions column, Cal Newport is filling in for Joshua Rothman. Much of the euphoria and dread swirling around today’s artificial-intelligence technologies can be…

Lorenzo Mattotti’s “Summer Rays”

For the cover of the August 18, 2025, issue, the artist Lorenzo Mattotti portrays the symphony of sight, sound, smell, and touch which comes to life when you walk in nature. “In my family,…

The One Race That Eric Adams Is Winning

By all appearances, the New York City mayoral race has narrowed to two viable contenders: Zohran Mamdani, a thirty-three-year-old democratic socialist, and the disgraced former governor…

Ethel Cain’s Anti-Pop Stardom

Midway through the music video for “American Teenager,” a feel-good pop song that has been streamed more than a hundred million times, the camera cuts, for an instant, to two children…

What It’s Like to Brainstorm with a Bot

Contrary to what many of my friends believe, good academics are always working—at least in the sense that when we’re stuck on a problem, which is most of the time, it’s impossible to leave…

Richard Brody’s Summertime Movie Picks

The recent heat wave may be only a memory—but enshrining memories is what movies do, and many of them rely on harsh summer climates as crucial elements of drama. In the mid-twentieth…

Hollywood’s Conservative Pivot

“King of the Hill,” the animated sitcom that first ran for thirteen Americana-powered seasons between 1997 and 2010, had a deceptively simple premise. The family at its heart collectively…

The Internet Wants to Check Your I.D.

The app Tea is a kind of digital whisper network for women. No men are allowed to join. Those who wish to be members must submit evidence, including selfies, in order to prove that they…

Amy Sherald’s “Trans Forming Liberty”

The cover of the August 11, 2025, issue, by the artist Amy Sherald, is a portrait of the trans model and performance artist Arewà Basit. The art work is featured in Sherald’s show…

Sterling K. Brown’s Upstanding Archetype

There’s a certain face that only Sterling K. Brown can make. It is yoked to no particular emotional state, and emerges just as often when the actor is conveying deep glee or charming irony…

At the Edge of Life and Death in Ukraine

In June, 2023, a Russian Iskander ballistic missile blew apart Ria Lounge, a popular pizza restaurant (and one of the few that remained open) in Kramatorsk, a city in the Donbas that was…

The Enduring Power of “The Rules of the Game”

Even if Mozart’s name and a quote from Beaumarchais’s play “The Marriage of Figaro” didn’t feature in the credits of “The Rules of the Game,” this 1939 film by Jean Renoir would still be…

Epstein Island Revealed

© 2025 Condé Nast. All rights reserved. The New Yorker may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers.…

Worlds in Rooms

I think that sometimes, when we look at art, we’re hoping to recapture a piece of our past—a golden time when we had a deep and unforgettable experience with a painting, a photograph, or a…

How Tom Lehrer Escaped the Transience of Satire

Satire, George S. Kaufman famously said, is what closes on Saturday night. Meaning, of course, that it has a limited run because of its intrinsically circumscribed interest. To this, one…

Was the Renaissance Real?

Roeck goes on to address the great question of why Europe became the center of prosperity and innovation on the planet. Colonialism and imperialism can’t explain it; they’re as old as…