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“Blood Relatives,” Episode 2

Heidi visits an unlikely group of detectives: the victims’ extended family. Their sleuthing upended the police’s original theory of the case. New Yorker subscribers get early, ad-free…

How Monsters Went from Menacing to Misunderstood

With the Enlightenment, monsters were brought under the lamp of reason. The Hydra, the unicorn, mermaids—careful observers exposed them as hoaxes or misidentified species. The French…

Mo Amer Has Survived by Being Funny

During our conversation, which has been condensed and edited, Amer talked about his reasons for accepting the gig in Saudi Arabia, his friendships with Jon Stewart and Jimmy Kimmel, and…

On My Last Leg

“Really?” I say, somehow shocked by the assertion. “There are so many assholes out there,” E. insists. “But he wants to take care of you.” Later, I repeat the “assholes” line to my…

Richard Move Channels Martha Graham

The New York City shopping scene is nothing if not cyclical; trends have a sneaky way of slinking back, even after being declared dead for decades. For example, the city is currently…

TextEdit and the Relief of Simple Software

The so-called desktop first appeared on a home computer in 1981, with the release of the Xerox 8010 Star Information System. That device pioneered the graphical-user interface, or G.U.I.,…

Christoph Niemann’s “Market Shift”

For the cover of the October 27, 2025, Money Issue, the artist Christoph Niemann set out to visualize how the preposterously rich pay a disproportionately small share of taxes. In…

Peruvian-Chinese Cuisine with Impeccable Vibes

The food, too, does some artful recontextualizing. Kam lu wantan, for instance, is a classic chifa dish of deep-fried wontons that are tossed in a sweet-and-sour sauce with meat and…

The Lessons of “The Perfect Neighbor”

“The Perfect Neighbor” chronicles how Lorincz, in her attempts to turn law enforcement against members of her own community, managed only to unite the two groups in shared disgust. (I…

Tame Impala Is an Obsessive, Not a Perfectionist

The magic of Parker’s music—what makes his records so restless, dithery, dynamic—hinges on the minuscule yet crucial difference between perfectionism (endlessly boring) and obsession…

Nia DaCosta’s “Hedda” Shoots Straight

Wresting “Hedda Gabler” from its theatrical confines, DaCosta effects a major structural transformation with graceful ingenuity: the party, which constitutes the entire field of action, is…

V. R. Lang, a Forgotten Queen Bee of Modern Poetry

Candidly. The past, the sensations of the past. Now! in cuneiform, of umbrella satrap square-carts with hotdogs and onions of red syrup blended, of sand bejewelling the prepuce in tank…