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Winter Culture Previews

Lorde, Clipse, Sudan Archives There’s a little something for everyone sprinkled across this winter’s slate of shows in contemporary music. Those looking for ambience should catch the…

Why Immanuel Kant Still Has More to Teach Us

That may not exactly sound like a call to arms, but the title of an expert and engaging new introduction to the philosopher encourages us to think otherwise. “Kant: A Revolution in…

Jamar Roberts’s Second Act

Jamar Roberts is the choreographer of the moment. His dances are in demand, with commissions from ballet and modern-dance companies across the country, including two world premières this…

How Monsters Went from Menacing to Misunderstood

With the Enlightenment, monsters were brought under the lamp of reason. The Hydra, the unicorn, mermaids—careful observers exposed them as hoaxes or misidentified species. The French…

Richard Move Channels Martha Graham

The New York City shopping scene is nothing if not cyclical; trends have a sneaky way of slinking back, even after being declared dead for decades. For example, the city is currently…

Stylist Melanie Ward Dies After Battle with Cancer

LONDON – Melanie Ward, one of the most revered and productive fashion stylists of her generation, has passed away this week, following a battle with cancer. The news was first revealed on…

A Dark Ecologist Warns Against Hope

The two have sparred before. In 2009, they exchanged public letters in the Guardian, circling a question that nags at many eco-minded Westerners: What, in practice, can one do? Kingsnorth…

What Do We Want from Our Child Stars?

Still, Master Betty ruled the little province of Parnassus devoted to underage thespians until the advent of Shirley Temple—and it’s some measure of her talent, or maybe of her moment,…

Tame Impala Is an Obsessive, Not a Perfectionist

The magic of Parker’s music—what makes his records so restless, dithery, dynamic—hinges on the minuscule yet crucial difference between perfectionism (endlessly boring) and obsession…

A Superbloom of Daring Theatre Hits New York

In Preston Max Allen’s “Caroline,” directed deftly by David Cromer, a onetime wild child, Maddie (Chloë Grace Moretz), reëngages with her estranged mother, Rhea (Amy Landecker)—the…

Nia DaCosta’s “Hedda” Shoots Straight

Wresting “Hedda Gabler” from its theatrical confines, DaCosta effects a major structural transformation with graceful ingenuity: the party, which constitutes the entire field of action, is…

The Hunt for the World’s Oldest Story

I read George Eliot’s “Middlemarch,” sometimes hailed as the greatest British novel, in a rain forest in western Indonesia. I was there as a graduate student, spending my days slogging…

V. R. Lang, a Forgotten Queen Bee of Modern Poetry

Candidly. The past, the sensations of the past. Now! in cuneiform, of umbrella satrap square-carts with hotdogs and onions of red syrup blended, of sand bejewelling the prepuce in tank…

Misty Copeland’s Ballet Send-Off

Sometimes a return is also a farewell. Misty Copeland, the first Black female principal dancer at American Ballet Theatre, may be the most famous American ballerina of her generation, but…