A Superbloom of Daring Theatre Hits New York
In Preston Max Allen’s “Caroline,” directed deftly by David Cromer, a onetime wild child, Maddie (Chloë Grace Moretz), reëngages with her estranged mother, Rhea (Amy Landecker)—the…
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World
Yo-Yo Ma on What Our Descendants Will Inherit
Earlier this month, the celebrated cellist Yo-Yo Ma turned seventy—an occasion that led him to reflect on not just his own past but also the planet’s future. In a letter to fans, he wrote,…
D’Angelo’s Genius Was Pure, and Rare
This week, the R. & B. singer D’Angelo died at age fifty-one, of cancer. He was best known for deftly combining the heft and tenderness of soul music with the ingenuity and nerve of…
Kelly Reichardt’s “The Mastermind” Reinvents the Heist Movie
One of the joys of reviewing movies is witnessing a longtime filmmaker’s artistic breakthrough, as has happened with Kelly Reichardt. A serious director with a principled world view, she…
“A House of Dynamite” Is a Major Misfire from a Great Filmmaker
Little of this plays to Bigelow’s strengths. She has directed at least one screw-tightening nuclear-crisis movie before, the Soviet-submarine thriller “K-19: The Widowmaker” (2002). But,…
Do You Know What I Know?
Take your young kid with you as you commute through Penn Station and you’ll find that you have a lot to explain. Walking through the Long Island Railroad concourse, my son was perplexed by…
Diane Keaton’s Shadows and Light
In Vanity Fair in 1987, Keaton told Joan Juliet Buck, “I was always pretty religious as a kid, but I had trouble with Jesus early on because I couldn’t understand that there was a son of…
The Hunt for the World’s Oldest Story
I read George Eliot’s “Middlemarch,” sometimes hailed as the greatest British novel, in a rain forest in western Indonesia. I was there as a graduate student, spending my days slogging…
Harry Bliss’s “Cannonball”
For the cover of the October 20, 2025, issue, the cartoonist Harry Bliss wanted to share a recent experience that filled him with joy. “With apologies to my wife, there aren’t many things…
From Life in Prison to the Eras Tour
Still, over time, I earned a reputation. “Joe’s straight,” guys would say, with some mix of mockery and begrudging respect. The prison system assigned each of us a security designation,…
The Erotics of Coreen Simpson
“The face was not important in the history of nude photography,” Simpson said, in an interview not too long ago. And what has Simpson used to obscure the faces of the subjects in her…
Art and Life in Richard Linklater’s “Blue Moon” and “Nouvelle Vague”
Leave it to Richard Linklater to see how, in art, the fundamental things apply. In his two new movies—“Blue Moon,” about the lyricist Lorenz Hart, and “Nouvelle Vague,” about the director…
Misty Copeland’s Ballet Send-Off
Sometimes a return is also a farewell. Misty Copeland, the first Black female principal dancer at American Ballet Theatre, may be the most famous American ballerina of her generation, but…
Rose Byrne Hits the Mother Lode
Her comedic pivot would have to wait, though. After a stint living in London, she moved to New York to co-star with Glenn Close in “Damages,” the FX legal drama, which débuted in 2007 and…
A Cartoonist’s Journey to the Scene of a Riot
The Maltese-born Joe Sacco is the rare cartoonist with a journalism degree (and, maybe just as rare, a cartoonist with masterful journalistic chops). Sacco’s latest book, “The Once and…
The “Unfit” Mothers of Ariana Harwicz
The Argentinean author Ariana Harwicz writes slim books that draw on a slim band of resources, as if she pulled them from a narrow row of diseased crops, or from the soil atop a shallow…
A Musical Indictment of the Harris County Jail in “Criminal”
From the outside, the Harris County Jail might be mistaken for a high-end condo, with walls of windows that overlook the bayou in downtown Houston. But the windows are fake, and the…
The Real Battle of “One Battle After Another”
A first viewing of Paul Thomas Anderson’s “One Battle After Another” mainly sets up the pleasure of seeing it again. The movie, which runs two hours and forty-one minutes, is stuffed with…
The Guts and Glory of “Indian Rodeo”
For more than a decade, Jeremiah Murphy has been trying to capture the beauty of a deeply American sport. Source link
Brian Stauffer’s “Winds of Change”
For the cover of the October 13, 2025, issue, the artist Brian Stauffer chose to see the beauty in what many consider a noisy nuisance. “One of the things I love about the city is the…
The Violent, Hilarious Return of “Hothead Paisan”
Diane DiMassa’s “homicidal lesbian terrorist” was a star of underground comics in the nineties, but her “rage therapy” has lost none of its edge. Source link
Do We Still Like Taylor Swift When She’s Happy?
If I were writing a song about Travis Kelce, a man I’ve never met, I would mention that he plays football, and that he has a podcast. I’d point out that he’s about to marry Taylor Swift,…
Why Did We Love “To Catch a Predator”?
In David Osit’s new documentary, “Predators,” the director includes a short clip from a mid-two-thousands episode of “Jimmy Kimmel Live!” in which the late-night host—his free-speech…
Why Does Taylor Swift Think She’s Cursed?
Since Taylor Swift launched the record-breaking Eras Tour, in 2023—a hundred and forty-nine dates, fifty-one cities, more than two billion dollars in ticket sales—she has been freakishly…