Skip to content
Grazia British

Section

Style

Page 15

Richard Brody’s Summertime Movie Picks

The recent heat wave may be only a memory—but enshrining memories is what movies do, and many of them rely on harsh summer climates as crucial elements of drama. In the mid-twentieth…

Hollywood’s Conservative Pivot

“King of the Hill,” the animated sitcom that first ran for thirteen Americana-powered seasons between 1997 and 2010, had a deceptively simple premise. The family at its heart collectively…

The Internet Wants to Check Your I.D.

The app Tea is a kind of digital whisper network for women. No men are allowed to join. Those who wish to be members must submit evidence, including selfies, in order to prove that they…

Amy Sherald’s “Trans Forming Liberty”

The cover of the August 11, 2025, issue, by the artist Amy Sherald, is a portrait of the trans model and performance artist Arewà Basit. The art work is featured in Sherald’s show…

Sterling K. Brown’s Upstanding Archetype

There’s a certain face that only Sterling K. Brown can make. It is yoked to no particular emotional state, and emerges just as often when the actor is conveying deep glee or charming irony…

At the Edge of Life and Death in Ukraine

In June, 2023, a Russian Iskander ballistic missile blew apart Ria Lounge, a popular pizza restaurant (and one of the few that remained open) in Kramatorsk, a city in the Donbas that was…

The Enduring Power of “The Rules of the Game”

Even if Mozart’s name and a quote from Beaumarchais’s play “The Marriage of Figaro” didn’t feature in the credits of “The Rules of the Game,” this 1939 film by Jean Renoir would still be…

Epstein Island Revealed

© 2025 Condé Nast. All rights reserved. The New Yorker may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers.…

Worlds in Rooms

I think that sometimes, when we look at art, we’re hoping to recapture a piece of our past—a golden time when we had a deep and unforgettable experience with a painting, a photograph, or a…

How Tom Lehrer Escaped the Transience of Satire

Satire, George S. Kaufman famously said, is what closes on Saturday night. Meaning, of course, that it has a limited run because of its intrinsically circumscribed interest. To this, one…

Was the Renaissance Real?

Roeck goes on to address the great question of why Europe became the center of prosperity and innovation on the planet. Colonialism and imperialism can’t explain it; they’re as old as…

A Young Parisian Chef’s Nouvelle Stodginess

I wanted more from Le Chêne, and from Duchêne. Not just more salt but more daring, more challenge, more bold and experimental vulgarity. Her crab thermidor (like many of the dishes that I…

Ozzy Osbourne Tried to Raise Hell

If you trust Ozzy Osbourne’s recollection—and, given the long and eventful life he led, as well as the chemical compounds he loved, perhaps you should not—then the idea for his band, Black…

The Extravagant Eye of Charles Frederick Worth

Charles Frederick Worth, the nineteenth-century designer widely credited as the inventor of haute couture, was not a modest man. “Madame, on whose recommendation have you come to me?” he…

Williams in Williamstown

On the last day of the first weekend of the Williamstown Theatre Festival, a brief storm struck. We had gone into the ’62 Center for Theatre and Dance, on Williams College’s campus, for a…

In Defense of the Traditional Review

Last week, when the Times announced a shakeup of its arts desk that involved reassigning four of its critics—of theatre, TV, pop music, and classical music—to other roles, the reaction in…