Skip to content
Grazia British

Section

Style

Page 16

Christoph Niemann’s “The Bridge”

“The real beauty of the Brooklyn Bridge can only be experienced in motion,” the artist Christoph Niemann said, about his cover for the June 30, 2025, issue. Niemann’s celebration of the…

Your Hip Surgery, My Headache, by David Sedaris

It was nice to get away, if only for a few hours. To have someone bring me bowls of nuts and glasses of water. At the table, I mentioned the lady who’d growled at me at CVS. Then Mike told…

The Rise of the Anti-Cinderella Story

A pair of recent films, Celine Song’s “Materialists” and Sean Baker’s “Anora,” turn the fairy tale on its head, with mixed results. Source link

The Astonishing Images of Diane Arbus

The grim spectacle of bullfighting is displayed with an unflinching, intimate glory in Albert Serra’s documentary “Afternoons of Solitude,” which follows the torero Andrés Roca Rey through…

Absolutely No King

© 2025 Condé Nast. All rights reserved. The New Yorker may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers.…

Haim Sets Off on a Rampage

This month, Haim—a three-piece rock band from Los Angeles, featuring the sisters Danielle, Alana, and Este Haim—will release “I Quit,” its fourth album and a carnal, sure-footed rebuttal…

What’s Happening to Reading?

What do you read, and why? A few decades ago, these weren’t urgent questions. Reading was an unremarkable activity, essentially unchanged since the advent of the modern publishing…

The Portland Bar That Screens Only Women’s Sports

When Jenny Nguyen was in her twenties, working as a chef in her home town of Portland, Oregon, she became a regular at pickup basketball games organized by a group of “lawyers, plumbers,…

Cactus Wren Is Doing Its Own Thing

The space is bright and open, with high ceilings and large windows that highlight the eternally terrific people-watching of the Lower East Side. The mint corner location is the former home…

Play It Again, Charles Burnett

One of Burnett’s earliest cinematographic efforts is the silent short “69 Pickup,” written and directed by Penick. Two Black men pick up a white woman hitchhiking on the boulevard. They…

Reëxamining Victimhood in Guatemala

While Corzo was working on the book, he learned that Walter Barahona, the brother of one of the gang’s leaders, José Luis Barahona, was being held in a prison known as Little Hell, in a…

Barbra Streisand on “The Secret of Life”

Listen and subscribe: Apple | Spotify | Google | Wherever You Listen Sign up for our daily newsletter to get the best of The New Yorker in your inbox. Barbra Streisand has been a huge…

“Materialists” Is a Feast of Talking Pictures

Words are actions, as anyone who’s ever been told “I do” or “You’re fired” knows. Yet, after nearly a century of talking pictures, most directors fail to depict talk as vigorously or…

Do Androids Dream of Anything at All?

Although the literature of automatism has existed in one mold or another since the late Middle Ages—with sixteenth-century folktales about a golem made of clay and summoned to life,…

Grocery Shopping with My Dead Dad

© 2025 Condé Nast. All rights reserved. The New Yorker may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers.…

Sly Stone’s Political and Musical Awakening

In May of 1971, Marvin Gaye released what many consider to be his masterwork, “What’s Going On?” A song cycle told from the point of view of a Vietnam veteran returning to the United…

Katherine Rundell’s Fantastic Four

Katherine Rundell grew up reading about mythical creatures—Minotaurs and trolls, dragons and unicorns—in books by writers like J. R. R. Tolkien, Ursula K. Le Guin, Edith Nesbit, Diana…

How Addison Rae Went from TikTok to the Pop Charts

In 2021, the TikTok star Addison Rae released her début single, “Obsessed.” It’s a whispery electro-pop tune about either unapologetic narcissism or chirpy self-confidence—it’s hard to say…