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God Bless “A Christmas Carol,” Every One
[ad_1] There is a street in Naples, Via San Gregorio Armeno, where you can find shop after shop presided over by artisans whose specialty is building Nativity scenes out of...
“The Secret Agent” Is a Political Thriller Teeming with Life
[ad_1] Meanwhile, a real shark has washed ashore; the movie’s MacGuffin is a human leg found in the creature’s belly. To investigate, the city’s wily and pompous chief of police,...
Dev Hynes Returns as Blood Orange
[ad_1] Also: the kamancheh playing of Kayhan Kalhor, Ethan Lipton’s surrealist “The Seat of Our Pants,” our writers’ holiday traditions, and more. [ad_2] Source link
“Hamnet” Feels Elemental, but Is It Just Highly Effective Grief Porn?
[ad_1] Zhao’s first three features were steeped in documentary realism, shot with a sturdy, windswept lyricism and abounding in nonprofessional actors. Then came her fourth picture, the clunky Marvel comic-book...
The Icelandic Artist Ragnar Kjartansson, Absurd and Profound in Equal Measures
[ad_1] Kader Attia’s film “La Valise Oubliée” (2024) cracks open a well of family memories, employing photographs and archival materials buried in three suitcases to unpack stories about the history...
“Sirāt” Is a Harrowing, Exhilarating Dance of Death
[ad_1] The rave comes to an abrupt stop, and the story, which Laxe scripted with Santiago Fillol, takes off like a shot. Armed soldiers turn up and order the ravers...
Robert Rauschenberg’s Art of the Real
[ad_1] On certain days, I’d cut school and head over to the Museum of Modern Art to dream awhile. This was in the mid-nineteen-seventies, and my high school—then called the...
Renoir’s Surprising Experiments in Perception
[ad_1] Also: a Quadrophenia ballet, the brave women of “Liberation,” the cultural business of affairs, and more. [ad_2] Source link
The Bad Show-Biz Dads of “Sentimental Value” and “Jay Kelly”
[ad_1] In new films from Joachim Trier and Noah Baumbach, success in filmmaking proves depressingly incompatible with success in fatherhood. [ad_2] Source link
Emma Stone’s Apocalyptic Showdown Blooms in “Bugonia”
[ad_1] Teddy’s reasoning is a confusion of save-the-world alarmism, garden-variety derangement, unhealed trauma, and single-minded revenge. He’s a beekeeper, and he blames Auxolith’s pesticides for accelerating colony-collapse disorder; the precarious...
Richard Move Channels Martha Graham
[ad_1] The New York City shopping scene is nothing if not cyclical; trends have a sneaky way of slinking back, even after being declared dead for decades. For example, the...