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How Jane Birkin Handled the Problem of Beauty
[ad_1] In Agnès Varda’s film “Jane B. par Agnès V.,” from 1988, a nearly forty-year-old Jane Birkin, dressed in jeans, a white T-shirt, and a tweed blazer, her messy brown...
Brittany Howard and Alabama Shakes Return with Audacious New Music
[ad_1] The first thing Julio Torres says in “Color Theories” is to deny that he’s made an “Off Broadway play.” (His ponytail, curling overhead like an anglerfish’s light, bobbles as...
Why Christopher Marlowe Is Still Making Trouble
[ad_1] Do you know the one about the Jewish guy and the Muslim Turk? They gang up on this Christian friar and strangle him. Then they take him into the...
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The Ministry of Joyce McDonald’s Sculptures
[ad_1] Terence Davies, who died in 2023, at the age of seventy-seven, is the most original modern British director. He was in his forties when he made his first feature,...
Local Gems: Cultural Institutions
[ad_1] On the occasion of our third centenary issue—this one culture-themed—we asked our writers to share one of their most treasured cultural institutions, big or small. Whether it’s a beloved...
Anthony Roth Costanzo Channels Maria Callas in “Galas”
[ad_1] Plus: the eclectic chaos of Haim, Trajal Harrell struts the catwalk at Park Avenue Armory, “Mamma Mia!” returns to Broadway, and more. [ad_2] Source link
“Splitsville” Plays Infidelity for Laughs; “A Little Prayer” Shows What’s Really at Stake
[ad_1] In the studiedly rambunctious comedy “Splitsville,” Michael Angelo Covino and Kyle Marvin play a pair of homewreckers. The home, a beachside vacation pad with natural-wood siding and floor-to-ceiling windows,...
“Missing Sheep,” by Anne Carson
[ad_1] We all play a bit of a game when in love, don’t we? [ad_2] Source link
Helen Oyeyemi’s Novel of Cognitive Dissonance
[ad_1] Few fantasies are harder to wipe away than the romance of a clean slate. Every January, when we’re twitchy with regret and self-loathing, advertisers blare, “New Year, new you,”...
“Highest 2 Lowest” Marks a Conservative Pivot for Spike Lee
[ad_1] It’s fascinating when filmmakers make drastic late-career shifts, as Martin Scorsese did with “The Wolf of Wall Street” and Francis Ford Coppola recently did with “Megalopolis.” Now it’s Spike...
