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Tehching Hsieh Turned Every Second Into Art

At Dia, the cage has been reconstructed in full, complete with Hsieh’s boots and his tally marks gouged into the wall. Every day, Hsieh was photographed by his friend, and the photos,…

Martin Puryear Changes the World Through Wood

It’s an object that shouldn’t have body language, yet it does. And from body language, it’s a quick jump to personality. Those who grew up with Tove Jansson’s Moomins may see in “Self” a…

Harry Bliss’s “Cannonball”

For the cover of the October 20, 2025, issue, the cartoonist Harry Bliss wanted to share a recent experience that filled him with joy. “With apologies to my wife, there aren’t many things…

Brian Stauffer’s “Winds of Change”

For the cover of the October 13, 2025, issue, the artist Brian Stauffer chose to see the beauty in what many consider a noisy nuisance. “One of the things I love about the city is the…

How Lionel Richie Mastered the Love Song

Listen and subscribe: Apple | Spotify | Google | Wherever You Listen The celebrity memoir is a form of which I’m reflexively skeptical. Some books lean solely on name recognition, without…

Richard Linklater’s Uncompromising Artists

Zoey Deutch, who plays Seberg in “Nouvelle Vague,” said that Linklater had first approached her about the project in 2014, while she was shooting a role in “Everybody Wants Some!!” She…

The Uneasy Prophecies of Cate Le Bon

There’s a scene in Netflix’s “Too Much” in which the heroine, an American transplant in London, listens to a playlist curated by her new British paramour. (Megan Stalter and Will Sharpe…

We’re Still Living in Man Ray’s Shadow

The Met’s stress on quartz gun and fern—that is, on the rayographs—is a welcome departure from Man Ray’s familiar cast of naked and famous people. His first batch, “Champs délicieux”…

Kadir Nelson’s “The Soloist”

When the news is especially distressing, it can be easy to feel like art is futile; that you should, instead, focus your attention on all the suffering in the world, such as the cruelties…

The War on Trans Art

In July, the artist Amy Sherald pulled out of a large-scale show at the Smithsonian after learning that she might not be able to include a portrait of Lady Liberty as a Black trans woman.…

Cindy Sherman’s and Rea Irvin’s Eustace Tilley

For a hundred years of New Yorker history (except once, in 2000, for our seventy-fifth anniversary), our covers have featured drawings, not photographs. For the September 1 & 8, 2025,…

The High Femme Dystopia of Star Amerasu

If the recent embrace of seemingly—and only seemingly—autonomous machines is any indication, something much less chic than the future premised in “The Matrix” awaits us. During the 1999…