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Jamar Roberts’s Second Act

Jamar Roberts is the choreographer of the moment. His dances are in demand, with commissions from ballet and modern-dance companies across the country, including two world premières this…

Richard Move Channels Martha Graham

The New York City shopping scene is nothing if not cyclical; trends have a sneaky way of slinking back, even after being declared dead for decades. For example, the city is currently…

A Superbloom of Daring Theatre Hits New York

In Preston Max Allen’s “Caroline,” directed deftly by David Cromer, a onetime wild child, Maddie (Chloë Grace Moretz), reëngages with her estranged mother, Rhea (Amy Landecker)—the…

V. R. Lang, a Forgotten Queen Bee of Modern Poetry

Candidly. The past, the sensations of the past. Now! in cuneiform, of umbrella satrap square-carts with hotdogs and onions of red syrup blended, of sand bejewelling the prepuce in tank…

Misty Copeland’s Ballet Send-Off

Sometimes a return is also a farewell. Misty Copeland, the first Black female principal dancer at American Ballet Theatre, may be the most famous American ballerina of her generation, but…

Man Ray’s Deadpan Wit on Display at the Met

“When Objects Dream,” the sensational Man Ray show at the Metropolitan Museum of Art (through Feb. 1), is centered on the artist’s refined experiments with the cameraless images he called…

Richard Brody’s New York Film Festival Picks

Sometimes names are misleading. Arabic numerals originated in India, Chinese checkers are German, white chocolate isn’t chocolate at all. The same does not hold for Pokito, a cozy dive in…

Donald Doubles Down

© 2025 Condé Nast. All rights reserved. The New Yorker may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers.…

The Art of the Impersonal Essay, by Zadie Smith

If it were up to me, for example, I would very happily switch that rickety, always ill-fitting term “humanism” with something broader, more capacious. A bright, shiny neologism that would…

The Metropolitan Opera Delves Into Comic Books

1. The beloved British polymath and broadcasting legend Melvyn Bragg, who joined the BBC in 1961, recently stepped down from his show “In Our Time,” which, since 1998, has delved into…

What I Wanted, What I Got

The popular girl at my elementary school—let’s call her Denise—was not blond like Barbie but pretty in a conventional manner I envied. She had brown hair, skin that tanned easily, and a…

The Ministry of Joyce McDonald’s Sculptures

Terence Davies, who died in 2023, at the age of seventy-seven, is the most original modern British director. He was in his forties when he made his first feature, “Distant Voices, Still…

Red, White, and Bruised

© 2025 Condé Nast. All rights reserved. The New Yorker may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers.…

Local Gems: Cultural Institutions

On the occasion of our third centenary issue—this one culture-themed—we asked our writers to share one of their most treasured cultural institutions, big or small. Whether it’s a beloved…