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Showdown in the Oval

© 2025 Condé Nast. All rights reserved. The New Yorker may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers.…

Always Inadequate

In the late nineteen-sixties I lived for a year, with my then husband, in the middle of an apple orchard in northern New Mexico, some miles from the glorious Rio Grande Gorge. Our adobe…

Fall Culture Preview

Few have captured infatuation like Schubert, three of whose lovelorn song cycles—“Die Schöne Müllerin,” “Winterreise,” and “Schwanengesang”—are performed in a single day, by the Brooklyn…

Richard Brody’s Summertime Movie Picks

The recent heat wave may be only a memory—but enshrining memories is what movies do, and many of them rely on harsh summer climates as crucial elements of drama. In the mid-twentieth…

The Iranian Revolution Almost Didn’t Happen

Strange to think, but there was a time when the United States’ most steadfast ally in the Middle East was Iran. In 1953, the C.I.A. had backed a coup that ousted Mohammad Mossadegh, the…

The Ambitious Film Deconstructions of Stan Douglas

The enterprising Tiler Peck has been a leading dancer at New York City Ballet for more than fifteen years, played a neurotic ballerina on Amy Sherman-Palladino’s “Étoile,” and created a…

Epstein Island Revealed

© 2025 Condé Nast. All rights reserved. The New Yorker may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers.…

Summer Is the Time for Off Broadway Comedy

When the political activist, comedian, and performance artist Morgan Bassichis premièred their exquisitely funny show “Can I Be Frank?” in New York last summer, they were already picturing…

The Sophisticated Kitsch of Blackpink

The London-based Nigerian singer Obongjayar has been steadily drifting toward his distinct sound. Initially discovered by XL Recordings head Richard Russell for a freestyle over the…

Conor McPherson’s Reliable Treasure

Conor McPherson’s small 1997 masterwork “The Weir” has been one of the most reliable treasures of the Irish Repertory Theatre. First directed by Ciarán O’Reilly in 2013, revived in 2015,…

Far-Flung Local Gems

In the spirit of summer travel, we’ve asked some of our writers living outside New York City to share a few of their favorite local spots. Read Lauren Collins on an irresistible Parisian…

Finding a Family of Boys

In 1981, I was a student of art history at Columbia University. I was twenty-one and worked to support myself at a variety of jobs. Columbia was an all-boys school then. Old oak desks and…

Your Hip Surgery, My Headache, by David Sedaris

It was nice to get away, if only for a few hours. To have someone bring me bowls of nuts and glasses of water. At the table, I mentioned the lady who’d growled at me at CVS. Then Mike told…

The Astonishing Images of Diane Arbus

The grim spectacle of bullfighting is displayed with an unflinching, intimate glory in Albert Serra’s documentary “Afternoons of Solitude,” which follows the torero Andrés Roca Rey through…

Absolutely No King

© 2025 Condé Nast. All rights reserved. The New Yorker may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers.…