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The Lost Dances of Paul Taylor

If a dance isn’t performed for a long time, it starts to disappear. People’s memories of it fade, and videos can be confusing—choreographers’ notes, even more so. In short, reconstructing…

The Heartrending Movies of John Cazale

With his sallow face and boulder-like forehead, John Cazale was one of the indelible character actors of the nineteen-seventies, but his career was tragically brief. He appeared in only…

John Singer Sargent’s Scandalous “Madame X”

Summer is a season ripe for scandal; people tend to be overheated and understimulated, looking to mist their crisping minds with idle gossip. Minor controversies can boil over, given the…

Oval Office Ambush

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Returning to the Scene of My Brutal Rape

A woman is running. In the path, a man appears as if from nowhere. He is masked and he holds a knife. What are her choices? On one side is the canal and on the other a high, impassable…

Summer Culture Preview

High-stakes competition makes for high drama in “F1 the Movie” (June 27), directed by Joseph Kosinski, starring Brad Pitt as a Formula One driver who is forced out of action by a grave…

Vladimir Putin’s Dangerous Game

© 2025 Condé Nast. All rights reserved. The New Yorker may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers.…

Hilton Als on the Visionary World of Alva Rogers

I met Alva Rogers years ago, through a mutual friend, and her various incarnations—actress, singer, artistic director, writer, puppeteer—have always been remarkable to me. As a young…

My New York City Tour of Tours

I’m a sucker for guided tours. I love a CliffsNotes condensation of a place. All of Rome in ninety minutes gave me a Visigothic sense of accomplishment, untarnished even when my tour bus’s…

Why I Broke Up with New York

All this may seem to imply some deeper judgment about the city—that I think it’s wanton and unregulated, a “Where’s Waldo?” of Boschian perversion. But I will always defend New York from…

Disco Balls and Roller Skates, at Xanadu

In the lushly pleasurable Bobby Darin bio-musical “Just in Time,” by Warren Leight and Isaac Oliver, the director Alex Timbers ensconces his sweet-voiced star Jonathan Groff in a gleaming…

Rema and the Evolution of the Afrobeats Sound

For many years, the term Afrobeats, referring to a West African pop style that integrates dancehall, rap, and R. & B. with traditional African rhythms, was controversial, rejected by some…

The Powerful Films of the L.A. Rebellion

In the nineteen-seventies, U.C.L.A.’s Ethno-Communications program, founded to increase minority enrollment, attracted a critical mass of young Black filmmakers. They quickly began to make…